"Dialectic of Enlightenment"
What is ”Enlightenment"?
It could also be called the age of enlightenment. It is an era from the 1620s to the 1780s. It was a time that challenged Kants arguments that we see the world as it is perceived to us, it was a time where the society started to tolerate science and skepticism.
What is ”Dialectic”?
It is a method of thinking of something in a rational way, and by discussion and arguments searching the truth.
What is "Nominalism" and why is it an important concept in the text?
Nominalism is a concept that is used in metaphysics. There are two aspects to describe the concept. The first one denies that universals exist, which means that general terms don not have any concrete meaning. The second one denies all abstract objects, which means that all objects that has no extension does not exist.I think that Adorno and Horkheimer uses nominalism to highlight the dialectic of enlightenment. E.g the existence of god, one, the word ”god” does not have a concrete mening, and two, god have no body in time or space.
What is the meaning and function of "myth" in Adorno and Horkheimer's argument?
I believe the term ”myth” is how the world was when the society did not believed in science or used scientific proof. Are we still in that time, but just in another phase, what if science could be made up and we just blindly believe it? This describes the function of myth.
"The Work of Art in the Age of Technical Reproductivity"
In the beginning of the essay, Benjamin talks about the relation between "superstructure" and "substructure" in the capitalist order of production. What do the concepts "superstructure" and "substructure" mean in this context and what is the point of analyzing cultural production from a Marxist perspective?
The concept ”superstructure” is defined as a structure built on top of something else, like a concept is based on another concept. ”Substructure” is defined as an underlaying or supporting structure. In our context those two concepts means the same thing as in a marxist perspective. The substructure is the base of a society, the working class. The superstructure includes the ideas, cultures, believes, thoughts, etc.
Benjamin is in the preface talking about which position art has in the context of Capitalism, and it is here marxist perspective are brought up. I think, by analyzing the construction of the society and what could be expected for the capitalism in the future we can understand how all the condition of production has changed in all areas of culture. Since the superstructure includes culture and art.
Does culture have revolutionary potentials (according to Benjamin)? If so, describe these potentials. Does Benjamin's perspective differ from the perspective of Adorno & Horkheimer in this regard?
The culture is a part of the superstructure. And theoretically we know that the superstructure is build on top of the substructure and that it is possible for the superstructure to change the base. By this aspect I think culture have a revolutionary potentials in the society. As Benjamin talks about how lithography was ousted by photography it changed the society and how the artistic function changed focus from the work of hands to our eyes.
Benjamin discusses how people perceive the world through the senses and argues that this perception can be both naturally and historically determined. What does this mean? Give some examples of historically determined perception (from Benjamin's essay and/or other contexts).
If our perception is historically determined it is affected by historical happenings and changes in society. Benjamin gives the example from the fifth century when the late Roman art industry took place which was different from the antiquity. It was the beginning of a new perception. Taking modern days and music as another example, 60 years ago when Elvis moved his hips on television it was perceived by many as very offensive, whilst nowadays most house music is built on sexual lyrics. This is one way our perception has changed along with society.
What does Benjamin mean by the term "aura"? Are there different kinds of aura in natural objects compared to art objects?
Talking about ”aura” Benjamin explains ”… unique phenomenon of a distance, however close it may be.” I think he means that every body has an aura, that reaches all places where its own shadow might be. Which means that no matter how far the body is from you, if its aura is big enough it can still affect you. If we look at it this way I believe there are no differences between natural objects and art objects. Even though art objects can be abstract, they do not have a body in time or space, I believe that the aura exists and will affect you the same way as a natural object.